Monday, 20 May 2013

This weekend.... 25 & 26. Mai...

We invite you to Live Art Review second Edition! In collaboration with Month of Performance Art Berlin and the Contemporary Space-Time Exhibition.

Artists will perform their work, and will then be invited afterwards on stage by critics to answer questions about their work. The audience is also invited to participate in the discussion/performance.

PERFORMANCES START 5PM***
Saturday and Sunday
5pm till late


Wednesday, 20 March 2013




Here the line up of Artists and Interviewers 

participating LIVEARTREVIEW 2013!

happening in occasion of  MONTH OF PERFORMANCE ART BERLIN

and of the exhibition (CON)TEMPORARY SPACE -TIME 

curated by Yun-Ting Hung, Lan Hung, I-Chen Tsou
  
Be with us during the weekend May 25 & 26 >>  from 5pm til 11pm @ Liebig12!

Again artists will present 1 piece each.

Performances by:

Effie Wu
Lin Chi-Wei
Tang Huang-Chen
  Su Yu-Shen
  Cheng Shih-chun
  Watan Wuma
  Anya Liftig
  Valerie Kuehne 
  Brian McCorkle and Esther Neff (Panoply Performance Lab)

Works by: 

Chen Yung-hsien
Wang Mo-Lin
Cheng Shih-chun
Leo Liu


Interviewer:

Stefania Angelini
Jörn J. Burmester
Márcio Carvalho
Tiny Domingos
Lan Hungh
Cat Robertson
Francesca Romana Ciardi

As interviewer curators&critics are invited to talk with the artists on a performative podium / plinth created by artist 

Catriona Robertson.
 
Live Art Review likes to explore cross disciplined intersections re-inventing positions challenging the audience to participate the discussion.

Step on the plinth and become an artwork.
 
The various the better. 

To know more about the past edition just scroll down and reed the interview with 

Catriona Robertson  (artist and author of this project co-curatated by Allegra Solitude & Liebig12
 
+ watch the interviews between artists participating and interviewers.
 
To know more about the origins scroll down til the end (or beginning).

Tuesday, 6 December 2011

LIVEARTREVIEW 2011 !THANK YOU!



LIVE ART REVIEW 2011

"CURATORIAL RITUAL & PERFOMING ART"

CATRIONA ROBERTSON (artist and curator of the event)
INTERVIEWED BY 
DAVIDE DANINOS (curator)


DAVIDE:
A rite is an act, or series of acts, performed with prescribed rules, in order to be repeatable.
A performance is composed by several elements: actors and audience, script and stage set.
As a rite these elements are designed with a prescribed order to be repeatable.
You curate this show in order to create a performance.
A rite composed by several recurrent elements: artworks, exhibition space and audience. 
So the fruition can create the exhibition, where the actors (curators, audience and artworks) can performed their roles.
Isn't it normal? Aren’t people curating shows all the time? Is a curator following a ritual?

CURATOR & ARTIST

What's your idea of the relationship between artistic and curatorial practise?

CATRIONA:
I see the relationship as very important; at many times they cross over.  Artists need to understand how to present their work, and curators understand the requirements of the artists and utilise these together to curate an exhibition. I believe it is possible to be both an artist and curator, and it is important to have an opinion of the art, as well as make it.

PEDESTRAL PROBLEM

DAVIDE:
So the Plinth. We are on a plinth. We're sitting here and this creates a performance. Now we are an artwork, part of an artwork. What's your main idea of the relationship between an artwork and its own pedestal?

CATRIONA:
Yes I built this construction as a plinth, suggesting that we on top of it are like an artwork. The plinth is not important for every art work: but the way in which it is presented can relate to a plinth: the wall: the floor: the stage. Although the plinth is generally considered for sculpture, in this scenario I am inviting the possibility to extend it to any medium, under the concept of ‘live art’ on stage, as I see the plinth as relating to a stage, like a performance on top of it. If we want to present artwork to the public in some way, then it needs a form of presentation, and in this case it is presented on a stage, the ‘white cube’ effect making both the art work and the presentation part of a performance.
Antony Gormly presented something similar with his 4th Plinth performance at Trafalgar Square, London where he invited members of the public to perform on top of the famous plinth.

DAVIDE:
Constantin Brâncuşi started a new way to look at a plinth shape, in relationship with his simplification of sculptures elements.

Has the plinth got the same value of the object displayed on the top of it? It is an artwork, a sculptural element, correct?

CATRIONA:
The material value is generally not the same: for instance the plinth costs say 50euros to make and the sculpture is worth 10,000euros. But for some it is interesting to play on this concept. My concept regarding the plinth bringing status to the people on top of it means the plinth has significant value and is the main concern of the work. It almost doesn’t matter what happens upon this plinth, whatever it is it could be considered as ‘performance’.
This is why I invited people to experiment with their presentations – it could be conventional or unconventional – performative or formal. The art has the opportunity to be live so that the critical context becomes live simultaneously, as they are part of a process afterward which we do not always see when the exhibition is over.

ART & LIFE

So I'm performing a performance right now.
So I'm part of an artwork.
I'm an artwork.
To perform life as art is an artwork?

The Dandys are interested in performing life as art. And also Allan Kaprow. He create in the fifties and sixties the notion of Happenings: an new idea of making art, based on the Interaction of the audience. So an active fruition creates the artwork. Also in a formal way.

It's similar to our situation, isn't it?

CATRIONA:
Yes in a sense this is a happening: this live event. Although it is not the same as everyday life, clearly. However if we were just sitting on chairs in the room talking, and not on top of the plinth, because of the plinth concept we have applied to this happening, that is what makes it a performance. 

 ****

 SOME VIDEOS OUT OF THE LIVE REVIEWS:

IVAN KISS conceptual designer
ANGELA LEE KA KI critic


JILL TEGAN DOHERTY artist
NEBAHAT ERPOLAT  critic


NIELS BETORI DIEHL artist
BARBARA ANTONIAZZI critic


JÖRG BRINGMANN artist 
MARKUS WAHL critic


!WHEN ART AND CRITIC BECOME ATTI-DUDE!


Thank you all for having participated
the first episode of LIVEARTREVIEW.

Some photos! (>>> credit: Aleks Slota)



OKO 
(performance set by Robert Heim and Aleks Slota)



OKO  + LAN HUNGH (performing on the back)




NEBAHAT ERPOLAT and JILL TEGAN DOHERTY


JILL TEGAN DOHERTY  (works)


ANGELA LEE KA KI and  IVAN KISS


IVAN KISS  (installation)




CATRIONA ROBERTSON and FRIED ROSENSTOCK






 

LAN HUNGH and ADAM NANKERVIS 



AIYA!


Thursday, 24 November 2011



Live Art Review
 4TH DECEMBER FROM 5PM!



LIEBIG12 is proud to announce an upcoming performative exhibition in Berlin.
We are offering the opportunity for artists and critics 
to come together for a joyful event. 
A live discussion will take place during the opening day (4th December 2011) 
led by the  participating critics and the audience on a stage / plinth 
created by the artist Catriona Robertson ((the curator of this happening, in collaboration 
with Liebig12 - Atelier run by the artist Allegra Solitude).
Each artist will present their work and have their work reviewed live by the critics. 
The stage represents the plinth, a platform for art 
and the stage as a platform for a performance.
The review will be an open discussion, which could also be seen as a performance in itself. 
The work the artist chooses to show will become a part of an entire performance through 
the presence of the artist, the work, the critic and the audience, and most importantly the 
atmosphere created by the tone of the review (positive and negative).
The entire happening will be documented and published on the blog: 



PARTICIPATING ARTISTS :

JÖRG BRINKMANN
Performer and media artist

FRIED ROSENSTOCK
Conceptual and Performer ArtistBorn February 8, 1943 at Kassel, Germany

Exhibits since 1964
www.friedrosenstock.com

OKO 

Oko is a musical and visual collaboration between two artists 
(Robert Heim and Aleks Slota)
both with an interest in improvised aggressive noise - performed live 
www.okonoise.com

IVAN KISS
conceptual designer 
His focus lies on charging objects with another layer of meaning in a distracting way 
ultimately leading to a loss of identity.
The Project 'A clean war' (saubere Kriegsführung) is an attempt to give an abstract term 
that is commonly used in international politics a physical body.
The result is an object that most people would recognize as a soap dish. 

www.ivankiss.net/work/a-clean-war


JILL TEGAN DOHERTY
Painter
www.jilltegandoherty.com

CATRIONA ROBERTSON
Conceptual artist - curator of LIVE ART REVIEW
www.catrionarobertson.co.uk


NIELS BETORI DIEHL
artist - curator
www.artnews.org/nielsbetoridiehl

http://www.programonline.de/uebermodels.html

LAN HUNGH
Performer artist - curator

PARTICIPATING CRITICS :

ADAM NANKERVIS

HANS ULRICH OBST
 
BARBARA ANTONIAZZI
background in Theory of the Performative and literary criticism 
currently working for

MARKUS WAHL

student of sociology.
reserching in historical sociology, black history, value theories and sociology of art.
Right now working on art criticism

ANGELA LEE KA KI
architectural designer from Hong Kong.
she wrote for an online magazine in Hong Kong on culture and art critics.
very interested in different kinds of art like spatial design, film, photography, theatre.
www.issuu.com/gel.a.lee/docs/leekakii

NEBAHAT ERPOLAT

independent choreographer, performer and writer.
www.nebahaterpolat.com


DAVIDE DANINOS
Artist - writer - critic - curator
currently co-operating with
www.brownprojectspace.tumblr.com
Art director for the magazine  
www.openpost.it


CATRIONA ROBERTSON
conceptual artist - curator of LIVE ART REVIEW
artist - educator and events curator at TATE MODERN London
www.catrionarobertson.co.uk

Join us for some for some art, performativity 


and ... AIYA!DUMPLINGS ...


!special catering! 


http://www.facebook.com/pages/Aiya-Dumplings/312648265419670




-------------------------------

Sunday, 30 October 2011

Live Art Review


INVITATION TO CRITICS AND ARTISTS



LIEBIG12 is proud to announce an upcoming performative exhibition in Berlin. 

The exhibition will take place on 4th December.

We are offering the opportunity for artists and critics to come together for an exposing event, followed by an exhibition.

Artists are invited to show 1 work in a group exhibition, critics are invited to review the works on show.

There will be an opening/vernissage of the exhibition where a live discussion will take place about the works led by 

the participating critics and the audience.

There will be a stage (created by the artist Catriona Robertson curator of this happening together with Davide Daninos and 


Liebig12 - Atelier runned by Allegra Solitude) 

where each artist will present their work and have their work reviewed live by the critics 

(this only needs to be a few sentences, or as long as they like).

The stage represents the plinth, a platform for art, and the stage as a platform for a performance. 

The critics review and the discussion of the artist together becomes like a performance on stage,

 instead of behind closed doors and in articles after the exhibition.

The work the artist chooses to show might not necessarily be a live medium, 

as it will become a part of an entire performance through the presence of 

the artist, the work, the critic and the audience, and most importantly the atmosphere created by the tone of the review 

(positive and negative). 

Artists – show your work (performance, video, painting, sculpture, installation etc welcome).

Please send an email with images and description of your existing work. 

Critics – if you are an art critic, performance critic, or any kind of critic (e.g food, travel), 

an artist or anyone who wants to give their opinion in the role of a critic, 

please get in contact by email.

Please submit your applications asap to liebig12review@gmail.com.

Deadline for application now extended till 20th of November.

Artist should be available to install their work few days before and pick it up afterwards. 
NO APPLICATION FEE
NO BUDGET FOR PRODUCTION 
BUT 
PART OF THE EQUIPMENT IS THERE!

Please get in contact for more information!


STRUCTURE:



The exhibition and stage are set up in the space (a few days before the opening)

The artist and critic go up on stage together.

The artist introduces themselves, and the work (in less than 5 minutes) even if this is a performance, it could be done at this point.

Or a film will need to be shown partially (if it is longer than 5). 

They might only need to say a short sentence if they prefer.

The critic then takes over, and can interview the artists directly, or just say their immediate reaction. 

This will last no longer than 10 minutes. 

After the critic has finished, the audience can say their opinion if they would like to.

This would then mean the whole discussion lasts about 2 hours (based on 7 artists).

Then we have a break of 1 hour.

Then there is a performance by the Band (possibly) which doesnt need to be long, depending on what they want to do.

Then there is time after for drinks etc. 

So the whole structure could work for 1 evening event.

After the opening the exhibition will last 1 more week.

The opening will be documented and transcribed into a blog.